12.12.16 – Doors 20:00 Concerts 21
Kantine am Berghain – Am Wriezener Bahnhof 70, 10243 Berlin
Three of the most uncompromising artists and tireless experimenters present their new solo shows on Dec. 12th at Kantine am Berghain.
Valerio Tricoli‘s complex compositions invoke the unknown and a haunting sense of narrative which is all too often elusive, and disturbingly visceral. His virtuosic skills helped him earn “a formidable reputation beyond the experimental circles and into the inquisitive ears looking for unpredictable new sensations and ideas”.
Recently nominated in The FADER among the 15 UK artists worth listening to in 2017, Beatrice Dillon whose “nebulous ambiguity constantly teeters on the edge of definition” will present a malleable live set using solo material, mostly unreleased forthcoming new music that does not stick to any sound, timing structures or shape in particular.
Continuing the work begun in 2011 with his Summer Mix album, one of the uncanniest computer music releases of this decade (Entr’acte / Death of Rave), Theo Burt presents new sound and video material from his Automatics Group’s dance-pop deconstruction Remixes project.
Valerio Tricoli is an Italian composer and performer of electroacoustic music, currently residing in Munich. His main instruments for live presentations are the Revox B77 reel-to-reel tape recorder, used as a completely analogue, ergonomic device for live sampling and real-time transformation, editing and mixing of pre-recorded and made-on-the-spot sound sources. On a formal level his sets focus on the impromptu creation of narrative, taking into account the multiple relations intervening between reality, virtuality and memory during the acoustic event: sounds are always hovering between the “here and now” of the concert situation and the shady domain of memory— distant but at the same time present like in a deja-vu experience.
Privileging fracture over continuity and by the use of a dynamic range that could jump suddenly from near-silence to extreme blasts of sounds, an almost tactile feeling of brooding tension is often attained. His electroacoustic studio compositions, documented on few records, are aligned to the tradition of Musique Concrète and explore themes of the internal— represented both by the psychological and the physical— and of the occult, which together, with the use of spoken text, make them often deeply existential works, self-investigations of the psychological, emotional and irrational horror within.
London’s Beatrice Dillon is a producer, composer and NTS DJ with releases on Where To Now? (nominated in FACT, The Quietus’ Best of 2015), two LPs with Rupert Clervaux, collaborations with Kassem Mosse, plus acclaimed mixes for The Trilogy Tapes, Wichelroede (with Ben UFO) and Blowing Up The Workshop to her credit.
Her particular approach to production has resulted in commissions and international collaborations with filmmakers and visual artists producing sound and music for film, installation and performance at Southbank Centre, ICA, Tate, Barbican, Lisson, MONA and Nasher Dallas amongst others. Her productions are an esoteric antidote to orthodoxy, tracing the fringes and the vaults for sounds lesser heard, from wayward techno to vintage folkways. Dillon’s remix of Helm’s ‘Olympic Mess’ was released in June on PAN. Her release “Face A” was recently synced with the Bang & Olufsen Play campaign.
Theo Burt is a UK-based artist working with sound, video and light. Recent projects have focused on the use of highly consistent relationships between sound and video to create a partial predictability, and the effects of this on perceptions of time.
Among his most compelling works include Bastard Structures 2, the system emerged as a result of this collaboration with Tim Wright (Germ, Tubejerk). This media provides a platform for exploration of optical and sonic effects, cognitive processes and limits of perception, where temporary structures, visual and sound interact with the geometry of the room and lead to disorienting exploration of the materiality of sound and of light.
Theo has worked primarily in galleries and spaces in the UK, but also in the international level has led projects in major European capitals and EEEUU. He also has worked previously in Barcelona for some exhibitions: Audiopantalla MACBA Colour Monochromes and Colour Projections produced for Sonar Cinema and supersymmetry.